Dan Murphy
On John Neely:
I miss my friend and colleague; it’s taken several months to get to a place where I can type out a few words about Neely. He was a person of great integrity. He was such a good friend, after 28 years you get to know someone, especially when you spend so much time together as we did in our studio setting. I haven’t been working in the studio for a while as I’ve been focusing on my colleague John. The ceramics on this display were created a few weeks ago and somehow these small pieces were selected for this exhibition.
During the last 28 years I’ve worked as a ceramic studio artist and professor of art at Utah State University. Over the years, I’ve created thousands of pots with the intent that they are quick expressive moments, each made swiftly and directly on a slow spinning potter’s wheel. A consistent goal remains, create gestural vessels that reflect my presence in the finished form. Pieces are made in multiples, like families of pots that are inevitably related, yet each piece stands as a unique one-of-a-kind vessel. Most are fired without applied glazes to stoneware temperatures in wood-burning kilns. Colors and textures on the ceramics result from the interaction of clay, wood and fire. My hope is that each successive generation produces a better piece. I feel a connection to contemporary as well as ancient ceramics and strive to create objects that will withstand the test of time.
